When it comes to script, the squigglists have more enthusiasm than ability. Spencerian flourishing requires both an understanding of rhythm and space as the residue of physical acts and as a visual arrangement. Their work outshines that of today’s “new ornamentalists.”The difference is more than a matter of time-and yes, doing Spencerianproperly, whether by hand or by mouse, takes enormous amounts of time.It comes from an understanding of letterforms, borne both of longtimeexperience writing and drawing them by hand and of studying the writingmasters of the past from Lucas Materot and George Bickham to LouisMadarasz and William E. Instead, it is the observations of a calligrapher/lettererwith over thirty years experience who has studied and admired the workof the great Spencerian letterers of the phototype era: Ed Benguiat,Tom Carnase, Tony DiSpigna, Jerry Campbell, Peter Horridge, Jean Larcher, and RaphaelBoguslav.
This is not the rant of a die-hard Swiss modernist feeling parched inthe absence of white space and feeling strangled by a riotous tangle ofswashes. What strikes me about much of their work here and in other places-as well as that of others following Bantje’s path such as the letterer behind Tiffany & Co.’s current Valentine’s Day campaign-is not over-embellishment but a lack of skill. There is Jessica Hische, Dustin Edward Arnold, Deanne Cheuk (all of whom have been profiled in Print), Alison Carmichael, Ian Brignell, and Si Scott. The squigglists, led by Marian Bantjes-profiled in the Reputations section of that same issue of Eye-can be found throughout the book.
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Stranger Things is an science fiction-horror web television series created, written, and directed by the Duffer Brothers.A year ago, in an Eye magazine feature entitled “ Cult of the Squiggly,” Steven Heller complained about the overabundance of embellishment in design “spiraling out of control.” He has now jumped on the bandwagon as the co-author with Gail Anderson of New Ornamental Type: Decorative Lettering in the Digital Age (New York: Thames & Hudson, 2010).
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Benguiat Bold by Image Club Graphics is a font based on the title logo from the TV show Stranger Things.Stranger Things Font Detail The font used for the title of the online tv sequence is ITC Benguiat.Įd Benguiat designed the Benguiat types for the worldwide Typeface company in The exotic persona shapes and very massive x-peak combine to make a design similar to. What many people may not know is that the stranger things font is a very old typeface created by Typographic Superstar Ed Benguiat and it was actually used for the cover’s of the old Stephen King Novels, so you can see the angle that the creative studio (Imaginary Forces) behind the production of Stranger Things were trying to ted Reading Time: 6 mins.Stranger Times otf () by helloimgreg/5(K).
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